I’ve never done 2 consecutive weeks at ‘Chair School’ before so I wasn’t quite sure how I’d feel starting back today. The fact that I bounced through the door and got straight into it suggests that I’m quite a way off saturation point!
I really wanted to feel like I’d made progress today and somehow the time just flew by, leaving me at a place where I felt like I’d achieved very little. If last week is anything to go by I really shouldn’t worry as the next steps are likely to pass in quick succession. As ever, time really needs to be spent on forming the basic shape and structure of the seat pad, after all, everything else rests on these foundations.
Today has mostly involved packing almost a kilo of coir into the seat by rolling it tightly into, well, rolls! These are held in place by loops of twine only to be broken up again into something that makes the chair look like it’s having a bad hair day. It’s at this stage you need to think about where you want your coir to be so that you have enough at the edges for your firm stitched border and not so much in the middle that the first person to use the chair will require a seatbelt.
Once you’re happy, this mass of coir needs to be encapsulated in scrim, and despite the fact that it seems like an impossible task, little by little you adjust the scrim and the coir within to form your basic pad shape.
So while this is happening there’s been a niggling issue in the background in the form of buttons. It’s my intention and also the norm to add some form of buttoning to the back of the chair. Being concave, it’s not only decorative but also functional in that it helps to accentuate and maintain that lovely ‘spoon back’ appearance. However, there’s an issue.
Regular readers of my blog will know that velvet has caused me issues before, and once again it’s thrown a velvety spanner in the works. I should say that my lovely House of Hackney velvet is in no way faulty, but the nature of velvet means that it won’t always do what you want. Velvet has a pile to it, a bit like a tiny brush – now that’s fine when it’s flat but not so great when you try and wrap it around a tight corner as the pile separates and the cotton backing cloth is revealed. In this case the cotton backing cloth is white and the dyed velvet is much darker, so when you wrap it around a button, the pile separates and the white backing is revealed. Not much good for my top-notch chair!
Over the past week and with the support of my course colleagues I’ve explored lots of options from shocking pink accent buttons (quickly vetoed by numerous people!) to brass coat buttons (which didn’t really look right) and a very experimental ‘colouring in the White bits with a green marker pen’ approach which somehow didn’t feel appropriate!
Anyway, I think Sonja has come up trumps by finding me a scrap of dark green leather that seems to match pretty well ……. and I think it adds a further edge of opulence 😉 We’re going to give it a go and see how it looks before committing but I’m optimistic. I need to do the buttons so that I can put the back of the chair on!