The What Patch??

I’ve decided that it’s probably a good thing that I don’t have children because I’m not sure I’d like the responsibility of giving them a name. I like making the kind of decisions that can be changed at a later date if required, or decisions where there’s little consequence attached to getting it wrong like should I have a Chocolate Digestive or a Bourbon Cream with my coffee – because they’re both winning choices, right?

Having to choose a name for your business is definitely not easy. You have to think about so many things! Does it represent what you do? Does it represent where you want to go? Does it work online? Will people understand it? Can people spell it? Does someone else already have it? The list goes on……

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I still love this branding but the name just isn’t working

A few months ago I came to the tough realisation that I was no longer ‘feeling’ my business name. The Cantin Patch started as the name of this blog and it seemed natural at the time that my business would also take the same moniker. Cantin is an old Black country word that means ‘chatting’ so the name translated roughly as ‘a place to rest and chat’. This seemed great for the blog but also for an upholstery business. It was quirky, it was local and my friend Hannah did a fabulous job of creating a whole branding concept around it which I still love now, but the name has been causing me issues.

“Did you say Camtim?”

“No, Cantin”

“Counting?”

“No, Cantin, like tin can but the other way around”

“Oh! Cantin!”

You get the picture. Apart from the fact that people often don’t know what I’m saying, there’s also something about the name that doesn’t sit with where I want to go. My work and interest is increasingly based on mid-century furniture and current interior trends. The Cantin Patch is far better suited to antiques, upcycling and traditional craft fairs…… and this isn’t an area that I’m looking to move toward.

So I made a decision. Seeing as I was about to move to a new location why not take this opportunity to change my name too?

Of course there are risks in doing this, but if I’ve learned anything over the last few years it’s that you also need to consider the risks of NOT doing this. In real terms it’s still early days for my business so the risks of keeping a name I didn’t like were certainly greater than making the change.

The last couple of months have been filled with conversation about what my new name might be and it’s not been an easy decision to make – I don’t want to change my name again so this one has to work!! There have been a few contenders on the table but one clear winner. I’ve been sitting with it for a month now and I like it as much now as I did when it first came up. I think that’s a good sign.

I’m going to keep you in suspense for a little longer (but not too long!) as I don’t just want to tell you the name, I want to show you the new brand in all its glory! It’s a few days off yet, so watch this space…

 

 

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Now, where were we?

I can’t believe that three months have whizzed by since I was last at Tresithick and updating my blog *slaps own wrist*.

Remember this little velvet beauty?
Well, here I am once again and this time it’s for a couple of weeks. The plan was to complete my traditional armchair this week so that I can start my next diploma piece, the egg chair, next week (more on that soon). That said, it’s already Wednesday and it’s not looking like that’s going to happen.

So where were we? Looking back at my last post I had just started to apply the top fabric to the back of the seat, but in actual fact by the time I left the workshop in November the chair was far more advanced that that…

The arms were finished when I left in November but I didn’t photograph it. I’m slipping.
The intention for this week was that the sprung seat would go in and I would be able to complete the remaining outside panels. The truth of the matter is that on a chair of this size (particularly when being rebuilt using traditional methods) time somehow vanishes on the things that you think will be done in a flash. Half a day to add 9 springs, how can that be??? I do however remember at regular intervals that this qualification would not be so valuable if everything was easy or right first time.

The original springs made this chair feel like a ride at Alton Towers. I’ve stiffened things up a tad.
Three days to get here. I was hopig to be sitting outside with a pasty by Thursday afternoon. not going to happen.
I’m holding on to an optimistic view that the next stages of the build will be a doddle. People love an optimist, right?

The magpie in me is keen to move on to the egg chair but apparently patience is a virtue or something. 

As ever there’s lots of laughter in the workshop and I was delighted to see Josie and Anna and Pam who I’ve shared weeks with before – you may recall Josie’s large leather armchair from last time. It’s coming on a treat. 

The Victorian Nursing Chair – Day 8

Short and sweet update today as I’ve been promised fish and chips for dinner! These at is building up nicely and tomorrow I’ll be moving on to the top fabric.

I must admit, I’m not looking forward to fitting the top fabric – the gap between the seat and the back of the chair has closed up pretty tight now, so feeding the fabric through and also finding out where to cut around the frame in such an impossible space is challenging to say the least. It’s one thing to mis-cut with calico but something else when you do it to your luxury top fabric!!

 

Today’s step-by-step transformation

For those of you who have been lying awake at night worrying about my button dilemma, you’ll no doubt be relieved to hear that the green leather has worked a treat and I have my buttons all made and ready to go.

The Victorian Nursing Chair -Day 7

Today I have been stitching. Then stitching. And I followed this with some stitching.

The result? A lovely firm border to the seat which will withstand many many years of use. Tomorrow I will be finishing this off with some more stitching just for good measure.

 

i finally tamed all that coir and got the pad into the basic shape required

 

Through-stuffing-ties stop your coir being pinched from the middle as your stitches draw coir to the edges

 

Don’t look at my muffin top! 3 rows of blind stitching start to build the height of the pad and add strength

 

Tomorrow an edge roll will complete the stitching. I love this view

My hands are dropping off. Feel free to send aid in the form of hand cream and chocolate.

The Victorain Nursing Chair – Day 6

I’ve never done 2 consecutive weeks at ‘Chair School’ before so I wasn’t quite sure how I’d feel starting back today. The fact that I bounced through the door and got straight into it suggests that I’m quite a way off saturation point!

 

Today’s starting point. There’s a whole load of springs in there you know!

I really wanted to feel like I’d made progress today and somehow the time just flew by, leaving me at a place where I felt like I’d achieved very little. If last week is anything to go by I really shouldn’t worry as the next steps are likely to pass in quick succession. As ever, time really needs to be spent on forming the basic shape and structure of the seat pad, after all, everything else rests on these foundations.

 

At this stage I do wonder how I will ever produce something refined!

Today has mostly involved packing almost a kilo of coir into the seat by rolling it tightly into, well, rolls! These are held in place by loops of twine only to be broken up again into something that makes the chair look like it’s having a bad hair day. It’s at this stage you need to think about where you want your coir to be so that you have enough at the edges for your firm stitched border and not so much in the middle that the first person to use the chair will require a seatbelt.

 

Bad hair day?

Once you’re happy, this mass of coir needs to be encapsulated in scrim, and despite the fact that it seems like an impossible task, little by little you adjust the scrim and the coir within to form your basic pad shape.

 

And a few hours later it starts to look like it might just resemble a seat!

So while this is happening there’s been a niggling issue in the background in the form of buttons. It’s my intention and also the norm to add some form of buttoning to the back of the chair. Being concave, it’s not only decorative but also functional in that it helps to accentuate and maintain that lovely ‘spoon back’ appearance. However, there’s an issue.

Regular readers of my blog will know that velvet has caused me issues before, and once again it’s thrown a velvety spanner in the works. I should say that my lovely House of Hackney velvet is in no way faulty, but the nature of velvet means that it won’t always do what you want. Velvet has a pile to it, a bit like a tiny brush – now that’s fine when it’s flat but not so great when you try and wrap it around a tight corner as the pile separates and the cotton backing cloth is revealed. In this case the cotton backing cloth is white and the dyed velvet is much darker, so when you wrap it around a button, the pile separates and the white backing is revealed. Not much good for my top-notch chair!

Over the past week and with the support of my course colleagues I’ve explored lots of options from shocking pink accent buttons (quickly vetoed by numerous people!) to brass coat buttons (which didn’t really look right) and a very experimental ‘colouring in the White bits with a green marker pen’ approach which somehow didn’t feel appropriate!

The offending button complete with white halo ….. and the green leather that might just save the day

Anyway, I think Sonja has come up trumps by finding me a scrap of dark green leather that seems to match pretty well ……. and I think it adds a further edge of opulence 😉 We’re going to give it a go and see how it looks before committing but I’m optimistic. I need to do the buttons so that I can put the back of the chair on!

The Victorian Nursing Chair – Day 4

It may not look like I’ve made all that much progress today, but when your top fabric goes on, it has to be right!

I started today by adding a little wool to the bare edges of the stitched pad and a thin layer of polyester Dacron that helps the fabric to move freely without pulling and rubbing on the pad below. Then came the grand reveal of my House of Hackney x William Morris fabric – so clearly a little time was taken to admire it before I decided where to place my cuts!

A couple of finishing touches to prepare for the top fabric

You really have to think about how you cut fabric with a pattern. It’s not just a case of measuring the area and getting stuck in with your scissors. A couple of questions came my way from Richard, “what feature do you want as the focal point?”, “what part of the pattern do you want to run down the centre?”. Add this to the fact that your seat will also need to match the back and the outside back also needs to mirror the inside back, your cutting plan starts to become a little more complicated. Needless to say, when it comes to expensive fabric, you check your measurements more than once!

 

once I plucked up the courage to make the first cut there was no stopping me!

Working with this luxury velvet was really satisfying and the finished feel was very appealing – my fellow course members just wanted to stroke it. Naturally I checked they’d washed their hands first 😉

Lots and lots of very careful tacking filled the rest of the day before I was satisfied with the tension and position of the pattern. The last step? To take a sharp knife and trim the excess from the edges……. A good time to concentrate.

I think this looks pretty cool – what do you think?

It seems that William Morris is popular this week – I wanted to show you this little beauty completed by my fellow upholsterer, Nikki, today. Isn’t it stunning?

The Victorian Nursing Chair – Day 3

This is so satisfying! I’ve found before when I’m using traditional methods that I reach a point where there’s a real beauty in what you’ve produced, so much so that it seems a crime to cover it up. That’s where I am today.

Still on track, today I’ve added an edge roll (a final row of stitching that ‘pinches’ the leading edge of your pad so that it’s firm and defined) I’ve filled the well with hair, added some soft cotton wadding and covered all of this with calico.

An edge roll completes the stitched pad and gives it a firm, defined edge

 

Lots of hair now fills the well, it’s packed pretty tightly to give enough ‘spring’ when compressed

 

A layer of wool helps to add softness

The calico has been hand-stitched to the edge of the pad as I don’t have oodles of space for tacks on the frame. Plus, with a frame of this age, the more holes you add, the greater the risk of weakness. Using this method has left plenty of room for the top fabric to be tacked, and believe it or not I’ll be doing that tomorrow…. on the back at least.

 

One or two pins are needed for this …….

 

Ladder stitched into place to give an almost undetectable join. even the smallest knots could show through the top fabric

I had homemade pasties for dinner and lunch. Living the dream……..

A couple of fun projects

Oh Hi! It’s been a while eh? I’ve just shocked myself a little in seeing that my last post was September – so what’s been going on?

Well I’ve had a few commissions which is lovely, I’ve settled into my new studio and I’m loving the extra space, I was shortlisted for an upholstery scholarship with the Queen Elizabeth Scholarship Trust (yay!) and didn’t get it (what’s the opposite of yay?), I bought a fancy-pants new sewing machine that will stop me from crying when someone asks me about velvet, oh, and I had a month in Australia! Does that let me off the hook for being absent?

I’m going to write a bit more about some of this stuff, particularly the scholarship (I met the Crown Jeweller – check me out), but today I wanted to share a couple of little fun projects with you…….

The starting point
The starting point

At present I have a shed full of furniture, little projects waiting in the wings for my own experimentation and amusement, but this was the one I was most keen to complete. I really like the idea that one day I will run some short workshops locally, a kind of “come and make one of these in 3 sessions!” type of thing and with that in mind, I thought I’d have a go at an upcycling project that could be the ‘one of these’ that people make…… a footstool made from an old electrical spool, or spool-stool if you like?

The finished stool
The finished stool

With a decent amount of the lovely Abbotsford wool left over from my Ercol project, I thought this little stool would be the perfect accompaniment. What do you think?

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The second project speaks volumes about my love of the South West. I picked up this souvenir tea towel in Falmouth, but it was never destined for cups and saucers. With some plain white fabric and a piped edge, it’s made three lovely bolster cushions that remind me of sunny days. Perfect for these dark January days.

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Thanks for the velvet tips

I’m clearly a glutton for punishment as I’m contemplating another velvet project. You may remember my first attempt with velvet but if you dont, let’s just say it turned out fine, but there was some pain along the way! I’ve been given this gorgeous little 30’s chair and I can’t help thinking that a rich yellow / mustard velvet would look simply amazing (and bang on-trend too). What do you reckon?

30's chair

Anyway, as I brace myself in preparation I had to share with you a short email that dropped into my inbox the other day….

Date: 11 August 2014 16:42:12 BST
To:enquiries@thecantinpatch.co.uk
Subject: Thanks for velvet tips

Hi Jon,

I just wanted to say thanks heaps for sharing your despair when you were sewing striped velvet seat cushions. I was in that same place, frustrated and close to tears when I googled and found your blog. I laughed lots and quickly went to buy a walking foot. Velvet, though still temperamental, is sewing beautifully now. Thanks again.

Coral
From Australia

I was so delighted that someone had taken the time to let me know that my account of working with the world’s most volatile fabric (I’m being slightly dramatic) had helped them in their velvet hour of need (which sounds equally dramatic) …… and not only that, on the other side of the world!

This certainly put a big smile on my face and made me feel like I’d done a good deed for the week. I’d say it’s also helped me to feel 20% more brave (not a scientific measurement) and ready to give velvet another go …… thanks Coral!